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BACH'S SOURCES

 

Paulin Bündgen, countertenor
CLEMATIS
 
DURATION

+ 1:00

 

DISTRIBUTION
Instrumentalists

2 violins, 2 violas, viola da gamba, organ

 

 

The more we explore the German repertoire of the 17th century, the more we realize its importance in the formation of Johann Sebastian Bach.

 

His work is indeed the legacy of a long stylistic journey whose foundations appear in the compositions of the early 17th-century masters, primarily Heinrich Schütz, who throughout his life continued to be a model for the next generation.

 

It was during this same period, disrupted by the Thirty Years' War, that the Bach family flourished in Thuringia, some of whose scores have been preserved, including those of Johann Christoph, a great cousin of Johann Sebastian, whom the latter considered a "profound composer".

 

This program also allows us to explore composers like Dieterich Buxtehude, with whom the young Bach may have trained, and to discover those who, like Johann Schelle, preceded him in Leipzig. This journey concludes with Johann Sebastian Bach's cantata Widerstehe doch der Sünde BWV 54.

PROGRAM

 

Erbarm dich mein O Herre Gott - Heinrich SCHÜTZ

Countertenor, strings, basso continuo

 

Herr, wenn ich nur dich habe - David POHLE

Countertenor, strings, basso continuo

 

Sonata a 4 - Johann Michael BACH

2 violins, viola, basso continuo

 

What about the Herren fürchtet - Johann SCHELLE

Countertenor, 2 violins, 2 violas, violone, BC

_

 

Jesu meine Freude und Lust - Dieterich BUXTEHUDE -

Countertenor, 2 violins, viola, violone, BC

 

Sonata for 5 in F major - Heinrich Bach

2 violins, 2 violas, violone, BC

 

Ach, daß ich Wasser's g'nug hätte - Johann Christoph BACH

Countertenor, solo violin, strings, basso continuo

 

Widerstehe doch der Sünde BWV 54 - Johann Sebastian BACH

Countertenor, 2 violins, 2 violas, basso continuo

Aria: Widerstehe doch der Sünde

Recitativo: Die Art verruchter Sünden

Aria: Wer Sünde tut, der ist vom Teufel

CLEMATIS benefits from a creation contract from the Wallonia-Brussels Federation

 

© Antoine Melis

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